No, the other Himmatwala.

When you are watching a Bollywood movie from the eighties, you have a pretty good idea of what to expect.  The fight scenes will be big and ridiculous.  Any character played by Shakti Kapoor is not to be trusted.  Somebody's wicked father will be offered forgiveness that he hasn't really earned.  And the hero's sister is going to have a very bad time.  Himmatwala (1983) is a perfect example; it's not just a product of its era, it really helped to define it.

Ravi (Jeetendra) returns to his home village after qualifying as an engineer, only to discover that things have gone wrong in his absence.  His mother Savitri (Waheeda Rehman) and sister Padma (Swaroop Sampat) are both living in poverty on the edge of the village, and the wicked Sher Singh (Amjad Khan), his spoiled and sadistic daughter Rekha (Sridevi), and his equally wicked accountant Narayandas (Kader Khan) are ruling the village like feudal monarchs.  After Ravi's mother explains the history of the situation, much of which he was actually there for, Ravi decides to take action, and the first thing he does is convince Rekha to abandon her evil ways by showing her the consequences of her actions.  Soon, she's given up the leather catsuits in favor of demure saris, and is singing romantic songs with Ravi.

But it's not all righteous vengeance all the time; Ravi is actually there to work.  The government is building a dam in the area, and Ravi is the man in charge, which means among other things, he's the one in charge of deciding where the dam will be built.  That could mean opportunity for Sher Singh and Narayandas, but Ravi won't be intimidated, refuses to be bought, and is easily capable of beating up a dozen armed me, so have no leverage.  And then they discover that Padma is in love with Nrayandas's son Shakti (Shakti Kapoor.)

Like a lot of Bollywood movies of the era, Himmatwala keeps changing genre.  Sometimes it's a revenge melodrama, sometimes it's a romantic comedy, sometimes it's a hard-hitting social commentary on poverty in the villages, and for one brief moment it's a disaster movie.  That's fine; the rapid genre changes are in fact a thing that I like about Indian cinema, but it does make our villains seem incompetent, since by the time they get an evil scheme rolling it's suddenly a completely different movie.

Still, you don't watch an eighties movie for competently and consistently implemented evil schemes.  This movie has ludicrous fight scenes, bright and entertaining songs, a few moments of genuine drama, and Sridevi.  I got exactly what I paid for.