The spy who fooled me.

 I'm declaring April to be Spy Month here at the Gorilla's Lament.  What does April have to do with spies?  No idea, but it's Spy Month nonetheless.  No foolin'.

Take a look. It's in a book.

 Chashme Bahaddar (2006) is not exactly a superhero movie.  It's certainly not a big budget Bollywood special effects extravaganza, it's a goody low budget Marathi comedy, and the biggest name in the cast is probably Johny Lever.  Still, it's a movie with a fantastic premise (in more ways than one) and it turns out you can get a lot of ridiculous out of a limited budget.

Rajaram Dhappne (Sanjay Narvekar) is an assistant librarian at a small Mumbai library.  That may sound glamorous, but he's actually kind of a nebbish, more interested in reading books than in engaging with the world around him.  His wife Neelima (Deepali Saiyyed) and son don't really respect him, his boss (Johny Lever) is constantly berating him, and the neighbors treat him as something of a joke.  Raja is the kind of man that winds up getting beaten on the street by an angry mob because they assumed that he was harassing his own wife.

It gets worse, though.  Raja's neighborhood has been targeted by Dholakia (Shrirang Godbhole), a corrupt developer who plans to level the area and build a fancy tower in its place.  (Well, that's what the subtitles say; I'm not sure if he's actually planning to build an apartment block or a fancy luxury hotel.)  Dholakia has recruited gangster Dolya (Deepak Shirke) and his incompetent but violent gang to clear the neighborhood.  

The only thing standing in Dolya's way is a complaint filed at the police department and signed by Raja.  Or signed by someone claiming to be Raja - Raja certainly didn't file any police report.  Dolya gives orders to kidnap Raja and "persuade" him to drop the report, so Raja tries to be careful, but all the hiding under the bed he's doing isn't impressing his family.

And then help comes in a box, inherited from Raja's deceased grandfather.  The box contains a statue of the grandfather, a fancy pair of glasses, and a friendly ghost, who explains how the glasses work.  Anyone wearing the glasses and reading the book will be possessed by the spirit of the main character, because apparently fictional characters explicitly have spirits in this universe, but that's not important right now.  There are limits, the most serious one being that the reader will be that character while the possession lasts, knowing only what the character knows and pursuing the character's agenda.  The possession lasts until the character notices two crossed lines, whether that be an actual cross, crossed arms, or the straps on a blouse.

Having been granted this amazing power, Raja sort of mucks about for a bit.  He becomes Arjun and interrupts a wedding of a woman who happens to be named Draupadi and is in the process of carrying away the enthusiastic bride when he reverts to Raja.  As Father De Silva, he convinces the men of the neighborhood to give up drinking and accidentally shakes down the local bar owner (Rajpal Yadav), then he transforms into a drunkard and takes them all out to the same bar.  

Along the way Raja manages to accidentally win the respect of his neighbors and especially his family, while putting the fear of God (or rather Arjun) into the gang members.  Which means that when the situation turns serious, everyone looks to Raja to save them.  The gangsters attack right after Holi, because this movie is deliberately riffing on Sholay at this point, and Raja is ready, with a fairly ridiculous plan that fails almost immediately, leaving Raja to face the villains as himself.

Chashme Bahaddar is definitely playing to its budget.  The special effects are . . . unambitious, the incidental music is largely lifted from Western movies (notably Jurassic Park), and the comedy is broad, because the filmmakers could not afford subtlety.  And that's fine.  This is a lightweight silly comedy, but it's a fun lightweight silly comedy.

If the movie has an actual flaw, it's the pacing.  Raja does a lot of meandering before the plot actually picks up; the Father De Silva sequence in particular goes on for a bit too long, and he subsequent "funny drunk" sequence that follows could be dropped entirely.  It's just an excuse for an item number, and there are other ways to justify pretty ladies dancing.  

 

Despite the sequel hunting ending, there's not going to be a Chashme Bahaddar Cinematic Universe-it's an insubstantial bit of fluff, and no better than it ought to be.  But it is as good as it ought to be.

I asked an AI to write a review of Anjaam. The results will shock you.

Write a blog post about the Bollywood movie Anjaam, starring Shah Rukh Khan



Anjaam, directed by Rahul Rawail, is a Bollywood movie that was released in 1994. The movie stars Shah Rukh Khan, Madhuri Dixit, and Deepak Tijori in lead roles. The film tells the story of a successful businessman, Vijay Agnihotri (played by Shah Rukh Khan), who is pursued by a vengeful woman, Shivani Chopra (played by Madhuri Dixit), after a chance encounter leads to a fatal accident.


The film begins with Vijay Agnihotri, a wealthy businessman who seems to have everything, including a beautiful wife, Priya (played by Tinnu Anand), and a loving mother. However, his life takes a turn for the worse when he accidentally kills a woman while driving under the influence of alcohol. The woman is Shivani Chopra's sister, and she vows to take revenge on Vijay for her sister's death.


Shivani's quest for revenge leads her to stalk and torment Vijay, and as the movie progresses, she becomes more and more unhinged. She resorts to kidnapping Vijay's mother, blackmailing him into marrying her, and even attempts to kill him.


Anjaam is a dark and intense movie that explores themes of obsession, revenge, and the consequences of one's actions. The film features some excellent performances from its lead actors, particularly Shah Rukh Khan and Madhuri Dixit, who bring a level of intensity and complexity to their characters.


The movie also features some memorable songs, including the popular number "Channe Ke Khet Mein," which features Shah Rukh Khan and Madhuri Dixit dancing in a colorful and vibrant setting.


Overall, Anjaam is a gripping and emotional movie that showcases the talent of its director and cast. It is a must-watch for anyone who enjoys intense dramas and powerful performances. If you are a fan of Shah Rukh Khan or Madhuri Dixit, this movie is a must-see.

I have only one question about this review:  did Vijay Agnihotri write this?  Because yes, he does run over and kill Shivani's sister (and daughter!), and yes, she does ultimately exact a brutal and almost Shakespearean revenge, but the AI kind of glosses over the fact that Vijay is an obsessive and violent stalker who has spent years ruining the life of the woman who dared reject him, a campaign which included murdering Shivani's husband before her eyes and sending her to prison for a crime which she did not commit and which did not in fact happen.

Anjaam is one of Shah Rukh's early, negative roles, forming a kind of Stalker Trilogy with Baazigar and Darr.  It's probably the least well regarded on the three, perhaps because the movie practically wallows in Shivani's misery, so that by the time she actually manages to take revenge, the viewer is just exhausted.

Vijay's pretty wife Priya seems to have been completely invented by the AI, and while Tinnu Anand is one of my favorite supporting actors, he would not have been my first choice to play a beautiful wife.

Chatbots lie, and they do so cheerfully and without remorse.  I am not surprised that the AI was this wrong about the movie, though I am a bit surprised and horrified that it was wrong in this particular way.  Anjaam is not an obscure movie, and the AI knew who the characters were, so I don't see why it reversed the victim and attacker so thoroughly. The clear lesson here is think carefully before allowing chatbots to write your movie reviews.

Also, think carefully before watching Anjaam.  It will not make you happy.

I'm not dead yet.

 The blog hasn't gone away, I just have relatives visiting at the moment.  New reviews will resume soonish.

The Greatest Show in the Galaxy.

 I am perhaps America's only unironic Johny Lever fan.  I get why a lot of Bollywood fans don't like him; the man has built his career on incredibly broad comic relief and frenetic impressions, and his acting range goes from chewing the scenery to nibbling on the camera lens, but he's really good at incredibly broad comic relief.  In a movie like Cirkus (2022), in which everybody is overacting at the same level, you get a sense of just how good Lever is at being Johny Lever.

The movie starts with Doctor Roy Jamnadas (Murali Sharma) expounding on his theories of nature versus nurture.  Roy is strongly Team Nurture, perhaps influenced by his own upbringing in Jamnadas Orphanage, which he now runs with his adopted brother Joy (Uday Tikekar).  When two pairs of twins arrive at the orphanage, Roy sees a chance to demonstrate his theories, and so he swaps babies, placing one twin from each pair in a set.  Both sets of twins are adopted, one by a well-to-do couple in Bangalore, and one by a couple who run a circus in Ooty.  Both sets of grateful adoptive parents decide to name their children Roy and Joy, after the people who made this adoption possible.

Doctor Roy keeps close tabs on both sets of Roys and Joys as they are growing up.  His plan is to reveal the truth to them when they turn thirty, finally proving to the world at large that it is upbringing rather than blood which shapes personality, a fact which has been amply demonstrated by countless adoptive children throughout the history of the world.  This is, of course, enormously unethical and will cause a lot of damage over the years to these hapless kids, and the movie never really calls him out on it.

The Roy and Joy in Ooty grow up as brothers in the circus.  As a child, Roy demonstrates a strange power - he can grab electric wires without being shocked.  After the death of their parents, the brothers grow up and run the circus, with Roy (Ranveer Singh) billing himself as the Electric man, while Joy (Varun Sharma) has a high wire act.  Despite the show business career, Roy is a confident and mature man, married to Mala (Pooja Hegde), who writes mystery novels under the name of "Colonel Vikrant."  The couple's one point of conflict is that Mala wants to adopt a child, but Roy is reluctant; he doesn't know that he's adopted, and believes that only a child of his own blood will be dedicated enough to take over the circus.

The other Roy and Joy, meanwhile, grew up to lead a life of privilege, watched over by their adoptive mother Shakuntala Devi (Ashwini Kalsekar).  Roy suffers from a mysterious ailment that causes him to receive electric shocks at seemingly random times, leading to him shocking the people around him in inconvenient and comic ways.  He's also naturally a bit suspicious, largely because he spends much of his time reading the mystery novels written by Colonel Vikrant.  Roy wants to marry the beautiful Bindu (Jaqueline Fernandez), but her father (Sanjay Mishra) is certain that he's seen Roy with another woman in Ooty.

When the Roy and Joy from Bangalore travel to Ooty to close a deal for a tea plantation, it leads to a comedy of errors.  Actually, it leads to The Comedy of Errors, since the plot is lifted almost directly from Shakespeare's play.  While Roy and Joy and Joy and Roy are getting their Shakespeare on, Doctor Roy follows from a distance and doesn't do anything to help, and both sets of brothers are bothered by a trio of incompetent gangsters led by Momo (Siddhartha Jadhav), who has magnificent hair and is doing his best Johny Lever impression.  Momo is working for the crimelord Poison Dada, who also has magnificent hair and is played by actual Johny Lever.

Cirkus is set in the sixties, largely because it's secretly a prequel to director Rohit Shetty's Golmaal Again, which is doubly weird because the Golmaal series has no continuity between films beyond character names and supporting cast, and now suddenly we've got a Jamhadar Orphanage Cinematic Universe.   

In any case, Cirkus takes full advantage of its time period.  The movie is a deliberate throwback to the comedies of the era, and lifts a lot of the incidental music from those movies.  The costumes are wonderful, and while it's not really a period thing, the scenery in Ooty is spectacular.  This may be a broadly comic bit of fluff, but it's a gorgeous broadly comic bit of fluff.

It's still a bit of fluff, though.  Johny Lever is the best at being Johny Lever, but everybody does their best, and Pooja Hegde manages to sneak in a bit of genuine acting when nobody is paying attention.  I would say that it's hardly Shakespeare, but it is absolutely Shakespeare.  Very much so.