Another brief hiatus.

 I'm taking some time off for reasons - I'll be back when I'm good and ready!

"Bantuka4" is a pun aimed directly at me.

 Shehzada (2023) has one of the classic Indian movie plot lines: a street-smart youngster moves in with a wealthy family under false pretenses and proceeds to make everyone's lives better. resolving longstanding conflicts through honesty, pluck, and cheeky charm.  The only real difference is that in this movie, the youngster is actually helping his own family.  (And even that has been done many times already; this movie is a remake of the Telugu film Ala Vaikunthapurramuloo,)

 On a rainy night, the wealthy Randeep (Ronit Roy) and his employee Valmiki (Paresh Rawal) find themselves in the same hospital, eagerly awaiting the births of their respective sons.  Then tragedy strikes - Valmiki learns from a nurse (Sharvari Lohokare) that Randeep's son has stopped breathing, and he convinces the nurse to quietly swap the infants, claiming that the sacrifice is the least he can do for his beloved employee.  When the not dead after all infant starts crying and the nurse wants to switch the babies back, the truth comes out: Valmiki and Randeep started in the company at the same time, but Randeep married the CEO's daughter and became rich while Valmiki continued to struggle, but now he'll see his own son raised in luxury no matter what.  The nurse protests, they struggle, and she falls, slipping into a coma for the next twenty five years.

Twenty five years later, Valmiki still works for the company, and he dotes on the family's spoiled and hapless heir, Raj (Ankur Rathee), while pressuring and berating Bantu (Karthik Aaryan), the man everyone thinks is his son.  Still, Bantu has earned a law degree and fights like a South Indian movie hero when he has to beat up a group of toughs and recover the shawl they stole from his sister Nisha (Debattama Saha), while Raj owns a toy car which he uses to get from room to room in his own house.

 Bantu needs a job, and he applies to be the assistant to Samara (Kriti Sanon), but she turns him down, since most of the people who apply to her law firm have degrees from Ivy League colleges while Bantu went to school in India.  However, he later discovers Samara being menaced by a potential client in a restaurant, and saves the day with his quick wit, quicker reflexes and knowledge of the Indian legal code.  he gets the job, and soon they are flirting up a storm.

Raj faces a test of his own.  Randeep sends him to negotiate with family nemesis Sarang, a toy manufacturer who used the family's transport business to smuggle drugs.  When Randeep learned what happened, he was banned from using the Jindal family planes, but for some reason he is not in jail and is demanding to be allowed to do business with them again.  All Raj has to do is say no.  He fails the test, but Randeep makes the family position clear, and Sarang plans revenge.

The things start to happen quickly.  Samara's father (Rakesh Bedi) arranges a marriage between Samara and Raj, and she confesses to Bantu that she'd much rather marry him.  The young couple hope to explain things to Randeep, but when they arrive at his office he's just been stabbed by an umbrella-wielding Sarang, and Bantu gets to show his action hero chops again while rushing Randeep to the hospital.  And once Randeep is safe, Bantu meets the nurse from twenty five years ago, who emerges from her coma just long enough to tell him about the baby swap, then dies before she can tell anyone else, leaving him with the truth but no evidence.

 Randeep's father-in-law Aditya (Sachin Khedekar) invites the young hero to the house, and they quickly bond.  Soon Bantu has a new job working for the family, and he sets out to make everybody's lives better.  Dealing with Sarang is actually the easy part; he also has to convince Raj to take responsibility for himself, as well as reconcile Randeep and his estranged wife Yashoda (Manisha Koirala), and Yashoda has no intention of making it easy.

If a masala film like this one is going to be successful, a lot of things have to go right.  The action scenes have to be kinetic and fun, the romantic leads need good chemistry, the music and dancing has to be on point, and the senior actors need to deliver a dose of honest emotion.  And this worked for me; Koirala is probably the standout in the cast, but Aaryan balances an easy swaggering charm with a genuine moral core.  I liked his Bantu a lot more than Allu Arjun's Bantu in Ala Vaikunthapurramuloo - in the earlier film Bantu was a sexist jerk at times, while in Shehzada Bantu has a big hero speech about how no means no.  

 

However, Shehzada was a flop while Ala Vaikunthapurramuloo was a big hit, which just goes to show you that my taste is suspect.

 

 

If it wasn't for your misfortune, I'd be a heavenly person today.

 I See You (2006) is a Bollywood ghost story with a difference.  It's a romance, with a ghost who is not actually a ghost, and a plot that bears a strong resemblance to the Hollywood film Just Like Heaven.  (I am assured that both films are based on Marc levy's novel If Only It Were True, and I am willing to believe it.)  But that's not the real difference.

 Raj Jaiswal (Arjun Rampal) lives in London and hosts a popular Hindi language talk show called "British Raj."  Raj is a carefree bachelor, which in this sort of movie means that he's a walking HR nightmare who hits on every woman within reach, including his new co-host Dilnaaz (Sophie Choudry).  She agrees to a date, though it's not clear whether that's because he is charming or she is ambitious.  And it doesn't really matter, because when Raj gets home after making the date he discovers Shivani (Vipasha Agarwal) in his apartment, and she just won't leave.

Shivani claims to be a spirit.  Not a ghost, exactly - she explains that she's not actually dead, she's in a coma, and she is thrilled to meet someone who can see, hear, and even touch her.  Raj assumes that his best friend Akshay (Chunky Pandey), but after some comic business and a quick trip to the hospital to see her body, Raj accepts his spectral roommate.

It takes a little while before they warm up to one another.   At first Raj tries to use Shivani's ghostly nature to help him pick up girls and cheat at poker, and she takes the opportunity to mess with him.  But soon enough they're friends, leading to more comic business as Raj apparently talks to himself in public and the people around him assume that he's lost his mind.  Before long, though, they're close.  Raj talks about Shivani all the time, much to Akshhay's chagrin.  

And just as the relationship is starting to get romantic, Shivani reveals her secret:  the car crash that put her into a coma wasn't an accident.  before the crash she stumbled across an organ trafficing ring run out of the hospital, with Doctor Shah (Ashwin Mushran) as the ringleader.  Shah is in charge of Shivani's care, and if he can't convince her mother (Kirron Kher) to sign the papers to take her off life support, he'll take care of the problem himself.  It's time for Raj to take action - ill-advised and largely ineffectual action.  Fortunately minor comic relief character John Smith (Michael Maloney), a police inspector who appeared as a human interest story on The British Raj because he learned Hindi through Bollywood movies in order to woo the movie theater cashier, is on the case.

The plot of I See You is not terribly unusual; in addition to Just Like heaven and Vismayathumbathu (a South Indian movie which came out in 2004 and is, I am assured, based on the same novel), 2021's Teddy takes the same coma-and-organ trafficking plot beats and adds violence and a giant Teddy bear.  Still, the movie is reasonably well made and entertaining.  Arjun Rampal is probably miscast; he does better with brooding action heroes, but the role is crying out for Rajkummar Rao.  Still, he does his best, and the movie is sufficiently fun.

The real difference is the music.  Composers Vishal-Shekhar created a bright and poppy soundtrack with a vibrant eighties techno beat -  it's Bollywood by way of New Order, and it doesn't sound like any Indian movie I have ever seen.

You and me could write a bad romance.

 Some Bollywood heroes are charming scoundrels, some are callow youths in need of a valuable life lesson, but the hero of Gori Tere Pyaar Mein! (2013) is just a jerk.  At least to start - can he become less of a jerk?  I certainly hope so, or the movie is going to be a bad romance.

Sriram (Imran Khan) is young, handsome, rich, and a trained architect, though he spends his time partying and disappointing his father (Nizhalgal Ravi) rather than architecting.  After Sriram skips his grandfather's deathbed, and funeral, and memorial service, his family decide that the best way to deal with the lad is to get him married.  The prospective bride is Vasudha (Shraddha Kapoor), and Sriram likes her smile.  Vasudha takes Sriram aside and asks him to reject the match, since she is in love with someone else, but Sriram cheerfully accepts the match because he's a jerk.  Basically he's the unsuitable bridegroom from a more conventional Bollywood romance.

They've got nothing but time, so Vasudha tries to find out exactly what Sriram's deal is, and he tells her about his previous fiance, Dia (Kareena Kapoor.)  Dia is a social worker, loud, passionate and always involved in some charity program or protest.  The relationship was always rocky, since opposites might attract but they're still opposites, and no one is really surprised when the relationship finally crumbles and Dia goes home to Delhi.

Vasudha doesn't buy it - their first date was to a place Sriram used to take Dia, he talks about her a lot, and he still owns the pet crab that Dia adopted and left in his care.  Sriram still loves Dia, so why aren't they still together?  With some prodding he details the end of their relationship, when he sold a plot of land she wanted to use to build an orphanage because he wanted a new car, and when she confronted him he called her a hypocrite who dabbles in social awareness while shielded by her privilege, lamenting the lot of the hungry from expensive Italian restaurants.   That's more than enough to end the relationship permanently, salting the earth for good measure.

Or it would be, but Vasudha convinces Sriram to flee the wedding ceremony and go find Dia.  It's not that hard - he asks her parents, and they tell him that she's working in the tiny village of Jhumli, a place which is nearly cut off from the outside world apart from a rickety rope bridge.  Sriram travels to the village and witnesses the poverty and brutal conditions firsthand, and he also sees Dia doing everything she can to help.  Naturally he wants to take her away from all of this, but she won't leave until the work is done.  Almost all of the village's problems could be fixed if they had a proper bridge, allowing ailing villagers to go to the hospital and children to go to school, and Sriram impulsively vows to build a new bridge, while Dia impulsively vows to leave with him if he succeeds.  But they'll have to get past the region's gleefully corrupt and vengeful collector (Anupam Kher) while Sriram rockets through his character development, because the bridge is not just a bridge, it's an objective correlative.

It's hard to balance goofy romance with a redemption arc, but Khan and Kapoor are both effortlessly charming, and Sriram is such a jerk early on that every good deed feels like progress, while Dia has flaws of her own and also enjoys some character development.  I hope that they keep a relationship counselor on speed dial, but that's the case with a lot of movie couples. 

 

Come for the Machina, stay for the Deus.

 Ajab Prem Ki Ghazab Kahani (2009) presents itself as a comic book movie, complete with bright colors, pop art titles, and a literal iron man providing narration in the frame story.  Not just any comic book, though, an Archie comic book.  This isn't superhero action, it's sunny romance filtered through broad farce.

The frame story is just an excuse to talk about Prem (Ranbir Kapoor), though.  He's a fairly typical Bollywood protagonist of the era - young, charming, unemployed, and a bit of a natural con artist who spends his time hanging out with his young and carefree friends rather than getting a job.  Prem is the president of the Happy Club, the spiritual descendants of the Youth Club from Bhoot Bungla.  Unlike the older movie, the Happy Club doesn't have any "No Girls" rule, but they do have their own code.  Happy Club members help people without expecting anything in return and are particularly determined to unite star-crossed couples, when they're not busy scamming food from the restaurant owned by Prem's father (Darshan Jariwala).  Prem also has a stutter which only surfaces when he's really emotional and it's convenient to the plot.

While helping one such young couple elope, Prem accidentally kidnaps Jenny (Katrina Kaif), and it's love at first sight - for him.  Jenny is understandably upset about the whole kidnapping thing, but after a few more misunderstandings they finally become friends.  Jenny also has a stutter which emerges during dramatically appropriate moments, and when she's explaining the circumstances of her adoption to Prem she begins to stutter which makes him start to stutter.  She assumes that he's making fun of her, slaps him, and storms off.  

But this misunderstanding doesn't last long either.  They make up and become fast friends.  Prem still likes her romantically, but can't work up the courage to tell her, so he tries to remake himself to become someone she could love.  That means getting a job, and for some reason it also means eating meat; Prem is a staunch vegetarian, but Jenny is Christian so they all assume she will want a man who is non-veg.  Prem feels so guilty about the meet eating that he feels he cannot fave his own God, and instead goes to Jenny's church to confess directly to Jesus and ask Him for His help in winning Jenny's heart.  This will be important later.

However Prem is so busy reinventing himself that he doesn't have time to spend with Jenny, so he doesn't find out that her parents are forcing her to marry the genuinely awful Tony Braganza (Pradeep Kharab) until it's almost too late.  He follows the family to Goa and manages to meet Jenny.  He promises to help her . . . and she asks him to contact Rahul (Upen Patel), the handsome, muscular and rich guy that she loves.

Prem takes the news surprisingly well.  He's sensible enough to realize that Jenny never said she wanted a romantic relationship with him, and that he had never worked up the courage to ask her for one. More than anything else he wants Jenny to be happy, Happy Club is all about uniting star-crossed lovers, and his motto the entire movie has been "No complaints, no demands," so Happy Club gets to work.

And wackiness ensues fairly quickly.  After Prem arranges an elopement, Rahul vanishes from the train, leaving Jenny with nowhere to go, so Prem has to hide her in his house.  Rahul has been captured by his own father, wealthy politician Pitambar Jalan (Govind Namdeo), so Prem has to outwit Jenny's parents, Rahul's parents, his own parents, and a group of gangsters led by Sajid Don (Zakir Hussain), and that's the easy part.   

The hard part is letting Jenny go.  After all of the strife, he can't stand to watch Jenny get married to someone else, so he leaves town, which means he's not there when Jenny realizes that Prem has done an awful lot to ensure her happiness and safety, while Rahul has done basically nothing.  Prem loves Jenny, Jenny now realizes that she loves Prem, but it's too late - in order for the pair to be united they'll need a literal Deus Ex Machina, and they get one.  In this case, it's Jesus driving a pickup truck.

Divine intervention is not unknown in Bollywood romance, though it's usually Krishna doing the intervening, and the rest of the plot is classic Bollywood romantic melodrama.  What's different is the tone - the romance is completely sincere, but the rest of the movie plays out as a broad farce, with elements drawn from silent comedies.  On the other hand, this is perhaps the cuddliest farce I've ever seen, with everything leading toward an emotionally satisfying happy ending for the adorable characters.  It's a weird movie, but it's the good kind of weird.

 

They look for their destiny in parrots.

 Apparently Deewane Huye Paagal (2005) is the unofficial Indian remake of There's Something About Mary, which means that once again, I have seen the Bollywood version but not the original film.  I'm pretty the subplot about the elixir of youth is unique to this version, though.

The film opens with a cowboy hatted narrator (Vivek Oberoi) floating through a pink background.  The narrator summarizes the surprisingly complicated backstory - a brilliant but absent minded scientist (Om Puri) has developed a serum which can reverse aging.  His gangster brother Khurana (also Om Puri) wants it, and he's willing to kill to get it.  The scientist is even more absent-minded than the stereotype would suggest, and uses a stuffed parrot with a built in recording device to help him remember key information.  This will be important later.

 Meanwhile, Karan (Shahid Kapoor) is a college student working an the restaurant owned by Murugun (Johnny Lever.)  Like most of the students at his college, Karan is infatuated with Tanya (Rimi Sen), who performs concerts on campus for some reason.  Karan knows that he doesn't have a shot with Tanya, but after standing up for her mentally disabled brother Gullu (Rakesh Bedi) when he's threatened by Khurana's son Sunny (Suresh Menon) he suddenly does have a shot.  

 

Tanya and Karan grow closer, but on the night of Karan's birthday, she sees Khurana's competent son Baljeet (Baljeet Singh) murder his scientist uncle, and the parrot is left in her car.  Since the parrot holds the code to the safe that contains the youth formula, Baljeet is doubly motivated to find her, so Tanya has to flee town without telling Karan.  He looks for her, but the only thing he finds is a stuffed parrot, which he assumes is his birthday present.

And all of that is prelude.  Three years later, Karan is less geeky, but still pining for Tanya.  he bumps into some of her college friends and learns that she's moved to Dubai, and he wants to leave immediately, but Murugun convinces him to wait until they have arranged passports.  While they wait they hire private detective Rocky (Akshay Kumar) to find Tanya's address.  And that's when things get even more complicated.

 Rocky discovers that Tanya is now Natasha, and learns that she's become a popular singer who is about to release her first album, as you do when you are in hiding.  he also discovers that she's gorgeous, and quickly falls in love as well.  When Karan and Murugun arrive, Rocky spins a long list of lies, telling Karan that Tanya is overweight, in a wheelchair, running a laundry business in her home, and raising seven children with three different fathers.  Karan is even more determined to find her; if she needs him he's going to be there for her.  Finally Rocky claims that Tanya has left Dubai and is on a honeymoon with her new gangster husband, and they are also on the run from the law, so Karan sadly starts making preparations to return home and disappears from the movie for a bit.

 Rocky continues to spy on Tanya/Natasha so that he can present himself as the perfect man for her.  he also learns that he's surrounded by other men - her brother Gullu has died, but she has practically adopted Tommy (Paresh Rawal), who suffered brain damage after she ran him over with her car.  Her overprotective architect friend Sanju (Suniel Shetty) walks with crutches, and keeps telling her terrible things about her rich and charming ex-boyfriend Raj (Aftab Shivdasani).  And there's a blind man (Asrani) who keeps bumping into her for some reason.

 Rocky keeps spying and manipulating, and along the way he discovers that the men around Natasha are all in love with her and also all lying; Tommy isn't disabled at all, Sanju is an able-bodied plumber who makes things up about Natasha's suitors, and Raj is actually a decent guy, but thanks to Sanju he's out of the picture.  Rocky is better at manipulating Natasha than they are (though Natasha is spectacularly gullible, so it's not that hard) and he's nearly convinced her to marry him when Karan happens to bump into them.  

We have a love triangle!  Sort of!  Rocky is still lying, and while Karan is still devoted to Tanya, he's so reflexively noble that he's constantly about to leave so that she can be happy, and he never thinks to mention that he knows for a fact that Rocky isn't an architect or a navy captain.  

 The gangsters finally return, and secrets are revealed, leading to kidnapping, car chases, and an interminable climactic action scene involving motorcycles and an infinite supply of dune buggies.  

 This is a very silly movie, but silly isn't always bad.  There are some good things here!  Because the movie is so ridiculous, everybody pitches their performance to Johnny Lever levels, which gives him the chance to shine; Murugun is the most consistently sympathetic character in the film, and actually gets to contribute to the plot rather than just providing comic relief.  This is early in Shahid Kapoor's career, so he's still doing a Shah Rukh Khan impression here, but young Shahid does a good Shah Rukh Khan impression.

And I'm done saying nice things.  I have tried to present the plot as I understand it, but the whole thing is pretty incoherent, and even with the narrator it's hard to follow.  The actual jokes often land, but for a lot of the time the movie relies on mugging for the camera rather than bothering with actual jokes.  Tommy's mentally-challenged act is pretty gross. And even that is not the real problem.

The real problem is that the film thinks we like Rocky.  Karan vanishes for a good chunk of the runtime, and we're left to follow Rocky as he spies on, lies to, and manipulates Natasha.  Akshay Kumar is a very charismatic man, and he's great at playing lovable rogues, but Rocky is not a lovable rogue, he's a creep in dire need of a comeuppance that never quite arrives.  I don't want to follow him in his attempts at romance, and I actively don't want him to get the girl.  (He doesn't.)

 I realize that this is basically the same complaint I had about Blue, but Akshay's character here is even more unlikable.

 

Here we go again.

(No screenshots this week because of technical issues.)

Rajkummar Rao built his reputation with a series of roles in quirky movies that feature a strong social message; even the Stree franchise, his biggest success, is really about society's treatment of women rather than just ghosts.  Bhool Chuk Maaf (2025), though, looks like a family entertainer, a stealth remake of Groundhog Day combined with the traditional Bollywood liar film in which the hapless protagonist schemes and fibs throughout the film but comes clean in the end and is forgiven by all of their family and friends.

 Rao plays Ranjan Tiwari, who certainly qualifies as hapless.  Ranjan is in love with the lively, free-spirited and kind of bossy Titli (Wamiqa Gabbi).  Titli's father (Zakir Hussain) does not approve of the match, since Ranjan hasn't managed to land a government job.  Ranjan and Titli try to elope, but she has second thoughts, and they're stopped by a policeman while arguing, leading to both families feuding in the police station.  However, they do manage to reach a compromise: if Ranjan can land a government job within two months, they can get married.  Otherwise Titli will be married off to someone else.

The problem is that government jobs are a valuable commodity; they're reliable, come with benefits and even a pension, so competition is fierce, and Ranjan hasn't gotten any less hapless.  Fortunately his sister Keri (Pragati Mishra) knows a guy, and that guy leads him to Bhagwan Das (Sanjay Mishra), a shady employment broker who can get him a position in the Ministry of Agriculture for a price, and by price I mean a sizable bribe.  Titli pawns her mother's necklace, the bribe is paid, and then Bhagwan vanishes with the money.

 At this point Ranjan is genuinely desperate, and he visits a temple.  On the advice of a pandit he makes an offering to Lord Shiva and promises that if he gets a government job, he will perform an unspecified good deed.  And shortly thereafter he gets a call from Bhagwan, who didn't just run off with the money - the job is his, which means that the wedding is on!  The date is set for the 30th of the month.

Time passes quickly.  The 29th is spent in various ceremonies, he has a long and kind of romantic chat with Titli in the evening, goes to bed and wakes up . . . on the morning of the 29th.

Ranjan tries to figure out the nature of the time loop over the next few 29ths, before he realizes that he hasn't fulfilled his pledge and performed his unspecified good deed.  He tries various acts of charity without success, telling various friends and family members about the loop over and over again, and grows more and more frustrated along the way.  Finally, he stands on abridge overlooking the Ganges, preparing to throw himself off, and that;s when he meets Hamid (Akash Makhija), the man who should have gotten the job, because this is a Rajkummar Rao and the social issues are inevitable.

That doesn't mean the movie gets preachy though.  There's a very specific critique about the human cost of government corruption here, but it's wrapped in a broader message about doing good things for other people, which is in turn wrapped in a quirky romantic comedy complete with a hapless protagonist who comes clean in the end and is forgiven by all his family and friends.  All the pieces are there, and they all work.