Saturday, September 2, 2023

Saaptember: Cult of the Cobra

 (For whatever reason, my computer won't read this particular DVD, so no screenshots this time.  I'll have to settle for the movie poster.)

 

The plot of Cult of the Cobra (1955) sounds very much like an Indian snake movie: six men traveling in India anger a woman who is also a snake, and she follows them home and kills them one by one.  But it's not an Indian snake movie, it's a Universal horror movie, with all of the careful research that implies.


 

In 1945, six American airmen are exploring a city bazaar in n unnamed Asian country, though the set dressing, costumes and the matte painting behind them all strongly imply India.  The important ones are Tom (Marshall Thompson) and Paul (Richard Long), who are roommates back in America and are both in love with Julia (Kathleen Hughes), and Nick (James Dobson), who is an avid photographer and not very smart.  They meet a snake charmer (Leonard Strong) who poses for a picture with his cobra, and Paul takes the opportunity to expound on the mysterious Lamian cult, snake worshipers who are supposed to live in the area.  The snake charmer reveals that he is in fact a member of the mysterious Lamian cult, and he will sneak them into a sacred ceremony for a hundred dollars.  Everyone agrees, mostly because Paul keeps going on about it.

And it turns out the snake charmer was telling the truth! Fortunately the members of this particular snake cult all wear hooded cloaks, so it's easy to sneak in.  The snake charmer warns them, repeatedly, that they should not under any circumstances try to take pictures.  Cue the dance number (50s B-movie style, not Bollywood style) and Nick starts taking pictures, with a flashbulb.  There's a fight, the temple is set on fire, Nick tries to steal a basket containing a dancer, and the cult's high priest (Edward Platt) curses the intruders.

The airmen make their escape in a jeep, but Nick is missing.  They quickly locate him collapsed in an alley, suffering from snakebite.  They take him to the hospital and it looks like he's going to make a full recovery, but the nurse leaves a window open, and the snake returns and bites him again.  He's dead by morning.  

The rest of the men return to the US.  Julia and Paul become engaged, ending the love triangle pretty decisively.  Tom is devastated, but he gets over it pretty quickly when he meets the mysterious new neighbor Lisa (Faith Domergue).  He offers to show Lisa around New York, and things go . . . okay.  Lisa seems to like him, but she's determined to keep her distance.

And then the airmen start dying one by one, and it's Lisa.  Lisa is the snake woman.  The movie makes no effort to conceal the killer's identity form the audience (and it's just as well, because the movie poster shows Lisa turning into a snake) but the characters haven't figured it out yet, so Tom continues his pursuit of Lisa.  Honestly, he's coming on a bit strong, picking a  fight with an old friend who dared to dance with her at a party and breaking into her apartment.  And against all odds, she starts to fall for him as well.

Paul, on the other hand, is suspicious.  He's noticed that his friends have started dying shortly after being cursed, and while the police aren't willing to accept his "curse" story, they do run blood tests on the dead men and discover that they were all killed by cobra venom.  Lisa realizes that Paul is suspicious and decides to kill Julia for some reason, perhaps because she walked in on Julia reading one of Paul's many books on snake cults.  (Why does Paul have so many books on snake cults?)

In the end only Paul and Tom are left, and the police are starting to close in.  Lisa and Tom attend Julia's new play, giving her one last chance to try and kill Julia before meeting a rather undignified end; turning into a snake is great for stealthy kills, but there are some severe disadvantages when humans know you're there.

Cult of the Cobra does bear some slight resemblance to Indian folklore, but I think it's a coincidence rather than the product of actual research; even the snake cult always refers to Lisa as a lamia, which is the wrong mythology from the wrong continent.  That's just the tip of the iceberg, though; the obvious problem is that "Asia" is a sound stage filled with mostly white actors dressed as people from India; Rama Bai is the only Asian name in the cast list, and she played "Woman in Asian Market Square."  They did have Indian actors in 1955 - Bollywood was thriving at the time, and the highly regarded Shree 420 came out the same year.

However, location shooting and international actors cost money, and this was not a big budget movie.  It was originally released as part of a double bill with Revenge of the Creature, the first sequel to The Creature from the Black Lagoon.  The low budget is Cult of the Cobra's secret weapon, because atmosphere is free.  The movie draws heavily from Val Lewton's work, and especially Cat People, relying on shadows and intimation rather than flashy special effects.  Lisa takes long walks through the darkened city streets, animals are terrified of her, the lighting shifts across her face as she's torn between her mission and her growing feelings for Tom.  To be clear, this is not as good as Cat People, but emulating Cat People is a great choice given the budget.

The budget means that the movie has one real advantage over India's later snake movies.  There are a few shots of actual cobras, but most of the time when Lisa is in snake form she appears in silhouette or is represented by an unconvincing rubber snake on a string.  Indian snake movies tend to use real cobras and a lot of them die.  I'm happier with the snake on a string.

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