Princess Raccoon (2005) tells the story of the wicked lord
Azuchi Momoyama (Mikijiro Hira), a man so monstrously vain that when his
private soothsayer, the Virgin Hag (Saori Yuki) tells him (with her
powers of spooooky Catholicism) that his own son
Amechiyo (Jo Odagiri) will soon surpass him as Fairest of Them All, he
flies into a rage and decrees that the young man be banished to the
desolate mountain beyond the enchanted Tanuki Forest. He dispatches his
trusted servant, the bumbling ninja Ostrich Monk, to do the deed, but
when Ostrich Monk stumbles into a hunter’s trap, Amechiyo is left alone
in the woods.
He’s not alone for long, though. Amechiyo soon meets a beautiful,
mysterious, and very strange young woman (Zhang Ziyi). At first, he
doesn’t realize that she is in fact the Tanuki Princess, but once he’s captured by tanuki soldiers and locked up in the palace dungeon, he figures things out.
As the Princess’s loyal handmaiden/bodyguard Hagi (Hiroko
Yakushimaru) is quick to point out, love between a Tanuki and a human is
strictly forbidden. Still, it is the thirteenth moon of the year, when
miraculous things happen, so the young lovers have a chance. If, that
is, they can overcome tanuki prejudice, escape the murderous Azuchi,
resist the terrible Catholic powers of Virgin Hag, conquer death itself,
and find the legendary Frog of Paradise. So they do.
Princess Raccoon is a very strange film. It’s staged as a light operetta (the Japanese title is Operetta Tanuki Goten,
for the most part, but the characters shift from a decorated stage to
an open field to animated paintings. Similarly, the music shifts from
the expected operetta to J-pop to hip-hop to samba to power ballads to
an especially gratuitous tap number. Despite the stylistic mish-mash,
though, the movie never loses sight of the story.
It’s hard to make any kind of qualitative statements about Princess Raccoon.
If the idea of a psychedelic operatic kabuki fairy tale appeals to
you, you should track it down. If not, I’m not going to try and change
your mind.
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