Despite the hero’s superhuman strength, flashy costume, and great responsibility which springs from his great power, Drona
(2008) isn’t exactly a superhero movie. It’s really an epic fantasy,
with a hero who leaves his mundane life to go on a great quest through a
magical landscape. It’s Neverwhere with Kung Fu, basically, though the film draws inspiration from a wide range of sources.
Aditya (Abhishek Bachchan) is an orphan living in an unnamed city
(which is probably Prague), raised by a self-involved and casually
abusive aunt and a kindly but weak-willed (and now recently deceased)
uncle. His aunt dotes on her own son, and treats Aditya as unpaid labor
and universal scapegoat. Aditya does not, however, live in the
cupboard under the stairs; he lives in the attic instead.
Life isn’t all bad, however. the other employees in the family store
treat Aditya very well, and kindly Sister Anne (Tatana Fischerova)
always remembers his birthday, but it’s the occasional visit from a
single petal of a blue rose that keeps him going. (There’s a sentence I
never thought I’d write.) This year the rose petal leads him to the
cabinet in his room, where he discovers an ornate gold bracelet.
While walking down the street, Aditya is given a free ‘golden ticket”
to a performance given by famous stage magician Riz Raizada (Kay Kay
Menon). What he doesn’t know is that Riz is secretly a demon in human
form, searching for the fabled Nectar of Immortality. (Riz is an
interesting villain; he looks like the secret love child of Mogambo and Ed Grimley, but he’s the spiritual descendant of another Amrish Puri character, Don Quixote from Oh Darling! Yeh Hai India.
Riz is wholeheartedly villainous, and even has his own catchphrase,
but he also uses super science to clone himself just so he has someone
to discuss his ennui and insecurities with.)
Riz sees the bracelet, and realizes that this is the person he’s been
searching for. Before he can do anything, though, Aditya is saved by .
. . . the other employees at the family store. And then Sister Anne,
who displays unexpected martial arts skills. And then two thugs who
were just threatening Aditya’s cousin the night before. And then Sonia
(Priyanka Chopra), a mysterious woman with even more impressive martial
arts skills, a bright yellow sports car, and a relaxed attitude towards
violence.
Aditya wakes up in an underground auto shop. After he discovers a
wall covered in pictures of him, Sonia delivers some much needed
exposition: Aditya is the next Drona, descended from a long line of
warrior kings charged with protecting the Nectar of Immortality. Sonia
and Sister Anne and the other workers at the store and even the thugs
are all members of a secret society, and have been watching over and
protecting Aditya all his life. Before any of this can really sink in,
though, Riz’s robed, sword wielding minions burst into the auto shop and
start killing people.
Only Sonia and Aditya manage to escape, thanks to her fighting skills
and his newly discovered super strength. Before the pair set out on
their epic quest, however, Sonia takes Aditya to see his mother, Queen
Jayati (Jaya Bachchan), who is not even a little bit dead, for more
exposition. Aditya is wary, but not willing to be a jerk about it, and
soon mother and son are happily reunited. (Aditya also realizes that
the rose petals were sent to him by the spirit of his father, the
previous Drona.)
And then Riz appears, turns Queen Jayati to stone, and promises to
return her if Aditya will give him the secret of where to find the
Nectar. After some desperate meditation, Aditya discovers a grain of
rice engraved with a part of the secret, and dutifully hands it over, at
which point Riz laughs at his naivety and leaves. The spirits of the
previous Dronas appear in the form of a sandstorm and fully empower
Aditya, and then the quest begins in earnest.
This is not a deep film, but it’s not just a stupid action movie,
either. There’s an honest to goodness theme hidden between the computer
enhanced fight scenes. Drona doesn’t succeed because of his amazing
powers, and he certainly doesn’t succeed because of his intellect (he’s
really not the brightest of sparks,) he succeeds because of the strength
of his relationships, because he cares about other people. In
addition, Drona echoes a number of literary and mythological
sources - at one point Aditya pulls an actual sword from an actual stone
- but the movie feels like a cohesive whole, rather than a collection
of references. Joseph Campbell would have loved this movie. I liked it
a lot.
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