Despite the title, Raaz: The Mystery Continues (2009) is not a sequel to 2002’s Raaz
It’s an entirely separate J-horror influenced Bollywood ghost story
about a woman teaming up with a mysterious man to investigate a dark
mystery which leads back to her own life, and the people closest to her.
And when it sticks to that formula, Raaz: The Mystery Continues is a pretty good movie.
Nandita (Kangana Ranaut), affectionately known to her friends as
“Nutty,” is a successful model in a somewhat dysfunctional relationship
with Yash (Adhyayan Suman), weaselly documentary filmmaker, militant
atheist, and host of an award winning TV show about superstition. The
couple have just moved into Nandita’s dreamhouse, and life is good.
Life is not so good for Privthi (Emraan Hashmi), a struggling artist
with a drinking problem and a strong resemblance to Brian from Spaced.
Privthi’s recent paintings all feature a woman he doesn’t know in
various states of dire peril. When he realizes that the woman in the
paintings is Nandita, he decides to stalk her for a while, apparently
believing that she’s be more likely to listen to a spooky warning from
the man who has been following her around and staring for the past few
days.
When Privthi finally approaches Nandita, she doesn’t believe him.
She escapes as soon as she can, goes home, and takes a bath . . . only
to be attacked in the tub by a ghost. She survives, but winds up on the
floor with a slit wrist, in a pose which exactly mirrors one of
Privthi’s paintings.
Despite Nandita’s protests, everyone assumes that she cut her own
wrist. The ghostly attacks continue, but only when Nandita is alone, so
no one believes her. Yash is particularly useless, accusing her of not
being atheistic enough and therefore reflecting badly on his
professional image. He suggests that they get married and go on a long
vacation. Instead, Nandita turns to Privthi for help; he’s discovered a
series of mysterious suicides near a chemical factory in northern India,
and the attacks on Nadita seem to fit the pattern. The two set off on a
road trip, and things get worse.
As a ghost story, Raaz: The Mystery Continues is very well
done. There are some genuine scares here; I may never use an ATM again.
And while a few scenes are lifted from western movies, they work in
context. The movie tries to be about more than that, though, and that’s
where it stumbles.
This is yet another bhoot movie which tries to present a conflict
between faith and reason.
Unfortunately, Yash, the designated
representative of reason, is an atheist strawman whose arguments against
religion all boil down to “You shouldn’t believe that! That’s stupid!”
To be fair, the token representative of organized religion in the
movie is at first corrupt and then insane; I suspect we’re supposed to
contrast Yash with Privthi, who carries his father’s Gita with him
everywhere, but never actually talks about religion.
The importance of faith isn’t the real message of the movie, however.
In her opening narration, Nandita alludes to the Butterfly Effect, the
idea that a butterfly flapping its wings in one part of the world could
lead to a tornado in another. Nandita eventually decides that she is
responsible for everything, that the chain of events leading to the
hauntings can be traced back to a bit of casual bad advice that she
offered to the wrong person. The clear moral of the movie is that even
the smallest actions can have dire consequences, so we should be careful
about what we say and do. While the ghost seems to share Nandita’s
interpretation of events, I think they’re both wrong. The film’s
genuine villains were engaged in their corrupt and murderous behavior
long before Nandita said anything, and the person she gave the bad
advice to made his own choice; she’s not responsible at all. “Be
careful of what you say and do, because small actions can have big
consequences” is a valuable life lesson, but it really doesn’t apply
here, and attempting to make it apply seems forced and more than a
little silly.
Raaz: The Mystery Continues is a solid ghost story with its heart in the right place and its head on backwards.
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